secrets of luftnarp

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
lumberjackloverboy
lumberjackloverboy

i hate the ‘we’re all in this together 💕’ posts I see abt the trans community as i feel it helps to shut down very real and important conversations of intersectionality and the lack of it in trans spaces, but if you genuinely hate other trans people or groups of trans people maybe you need to sit down and remember that we are, in fact, all in this together

lumberjackloverboy

“trans women are disgusting” “trans men are all evil” “nonbinary people are the cause of transphobia” buddy. pal. these are your siblings

lumberjackloverboy

actually im encouraging yall to rb this because hating other trans people just leads to you hating yourself and right now with the way the world is, hating yourself is a death sentence

drchucktingle
drchucktingle

image

Monica is the head negotiator for the Writer’s Guild, a collective of Hollywood screenwriters who are edging closer and closer to a full on strike if the studios refuse to meet their incredibly reasonable demands. All the writers are asking for is fair treatment and compensation for their labor, but after a meeting with the greedy T-Rex CEO of Cobbler Studios goes south, a strike is called.

Now Monica and her companions are marching the picket lines and making their voices heard, working together to create better working across the film industry.

Unfortunately, this puts a terrible distance between Monica and her girlfriend Holly, who happens to be the physical manifestation of her own screenwriting. With no way to process these feelings, Monica looks for solace in the writing community itself, but will these efforts be enough to battle the cruel, money-hungry CEOs?

This important no sex tale is 4,100 words of collective bargaining as laborers organize to protest a nauseating dinosaur CEO with the power of solidarity and love.

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AUTHORS NOTE: greeting buckaroos. this tingler is given to all FOR FREE in solidarity with writers guild buds who are currently making their voices heard and striking with incredibly reasonable demands.

the wga is asking that any donations go to the ENTERTAINMENT COMMUNITY FUND which is used to directly help those in the entertainment industry in need and who will feel the financial burden of not working during a strike. 

as i said this tingler is free HOWEVER if you have the means you can donate the amount a tingler usually costs (three dollars or MORE if you would like) to the charity fund and support. just click the link and when it says 'gift designation' select 'film and television'

DONATE HERE 

if you would like to know other ways you can support those currently on the picket line click here 

LOVE IS REAL - chuck

solidarity doctor tingle
boxingcleverrr
theabstruseone

I want to push back on the narrative that's already going around that the "Reality TV" boom was because of the writer's strike. It's straight-up anti-labor propaganda attempting to claim the strike didn't do anything.

And it's blatantly false.

1) Survivor premiered in 1997, Big Brother in 2000, Amazing Race in 2001, American Idol in 2002, and that's just the big-name network ones I can think of off the top of my head.

The last WGA strike was in 2007.

The reality TV boom was already in full gear long before the strike.

2) The 2007 WGA strike lasted from November 5, 2007, to February 12, 2008 - Three months and one week.

It takes a hell of a lot longer than that to develop, pre-produce, shoot, and edit a television show than that. No studios turned around a reality TV series in those 14 weeks.

This keeps being brought up because they want to dismiss efforts of the workers by claiming the studios can quickly pivot to something that doesn't need writers (bullshit) and blame what's seen by many as a blight on American entertainment, reality TV, on the WGA strike.

triaelf9

Also like Top Chef and Project Runway, two of literally the biggest shows to run for YEARS started in 2006 and 2004 respectively. Bravo was filled with shows like this already that I was watching well before the strike, so yeah. It’s one of those things that sounds like it could be right until you actually think about it.

mistbornhero
t4tails

the reason so many characters who "use humor to mask the pain" or "are assholes with hearts that care DEEP down" are mischaracterized in fan content is because fans would like to explore the more vulnerable side implied but not shown all the time in the source, but in doing so forget the outer layer the character actually acts like most of the time, which then echoes as fans begin to immerse themselves in fan content exclusively without going back to the source for a long time. that is to say that you cant separate the outside self a character presents to others from their inner self and insecurities they are and have inside - they may have issues, but theyre still funny and/or an asshole

image
mistbornhero

Anonymous asked:

Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?

racefortheironthrone answered:

Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that’s lain fallow in my drafts folder for some time now…) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).

So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I’ve seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you’ve written, and most of all you do not answer any job application.

Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they’re paying for in addition to your labor is you breaking the picket and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term “mini rooms” whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some “broken stories,” and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we’re going to see a lot of scab contracts being offered for these mini rooms.

But for most of us, unless we’re actively working as writers in Hollywood, most that isn’t going to be particularly relevant to our day-to-day working lives. If you’re not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn’t mean the same thing as a boycott. WGA West hasn’t called on anyone to stop going to the movies or watching tv/steeaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what’s going on.

That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the case and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show’s performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.

The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers’ voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.

thevagueambition
slipstreamborne

You know, if we DO make contact with aliens within the next hundred years-ish, enough people are going to give the Vulcan salute to the first alien they see in real life (whether out of quivering excitement, lol memeitude, or sheer awkward, panicked grasping for the one prominent alien greeting nested in the social conscious) that there's a solid chance that it becomes a thing we're known for as humans.

Live Long and Prosper, my friends.

thesaltofcarthage

Leonard Nimoy would openly, unironically weep with joy if that happened.

He helped develop the Vulcan salute based on what he saw certain people doing during services at his temple. The splayed fingers represent the Hebrew letter shin  ש‎, and the men (I don’t know if they are rabbis) do it with both hands. It represents a blessing.

In an interview, Nimoy mentioned how delighted he was that people the world over greeted each other with “the Vulcan salute,” because it meant “they were going out and blessing each other.” 

I’ve always been an atheist, but I still think it’s a lovely sentiment to greet someone with “May you have a long and bountiful life, and I wish for good things to happen to you.” 

elfwreck

It's an excellent greeting.

It's non-threatening. You not only can't hold a weapon in that hand, the position itself is awkward enough to be useless for combat. It's not something that easily switches to a punch or strike.

It doesn't involve touch contact - avoids both cultural barriers to touch and problems of disease or incompatible skin types. (Don't have to shake the hand of the volcano aliens.)

It's clearly deliberate, unlike some kinds of bowing. And it can be mirrored by a wide range of body types, even if they don't have "hands" or "fingers" - an octopus-being that holds up a tentacle in response would be recognized.

And the sentiment it conveys (the Vulcan version; I have no idea about the original Jewish meaning) is likewise pretty universally acceptable.

random2908

It’s the Priestly Blessing (although in some Reform synagogues the rabbi will do it rather than calling up all congregants of priestly lineage to do it--i.e. everyone whose last name is Cohen or Katz or Kaplan or whatever is supposed to go up and collectively bless the community together).

The words match the oldest excerpt of the Bible found by archeologists, on amulets in grave goods dating from before the big redaction project that actually produced the Bible in its written forms. (NB: Jewish amulets usually take the form of written text; this is even more true in the modern era.) There is a real sense in which this blessing predates Jewish religion as we usually understand it.

The translation is “May HaShem bless and keep you, may HaShem’s face shine on you and show you favor, may HaShem lift his face to you and give you peace.”

In the Jewish religious context, “may HaShem bless and keep you” means, like, may God decide that you’re going to keep living a while longer. So the benediction literally means Live Long and Prosper in Peace.